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A stonemason working at Carlisle Cathedral applying SBD Certite during restoration on the tracery of a window

Framed Print : A stonemason working at Carlisle Cathedral applying SBD Certite during restoration on the tracery of a window
Framed Print : A stonemason working at Carlisle Cathedral applying SBD Certite during restoration on the tracery of a window
Framed Print : A stonemason working at Carlisle Cathedral applying SBD Certite during restoration on the tracery of a window
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Framed Print of A stonemason working at Carlisle Cathedral applying SBD Certite during restoration on the tracery of a window

A stonemason working at Carlisle Cathedral applying SBD Certite during restoration on the tracery of a window. This photograph is part of a batch taken by Laing to show restoration work being carried out using SBD Certite. In 1961, N M Phillips, the architect for Carlisle Cathedral started experimenting with the bonding material SBD Certite in the restoration of the cathedral. It was used on all but one of the decorated Gothic windows of the South Clerestory and by the time this photograph was taken, it was being used in the restoration of the north face of the cathedral. By using SBD Certite, A stonemason working at Carlisle Cathedral applying SBD Certite during restoration on the tracery of a window. This photograph is part of a batch taken by Laing to show restoration work being carried out using SBD Certite. In 1961, N M Phillips, the architect for Carlisle Cathedral started experimenting with the bonding material SBD Certite in the restoration of the cathedral. It was used on all but one of the decorated Gothic windows of the South Clerestory and by the time this photograph was taken, it was being used in the restoration of the north face of the cathedral. By using SBD Certite, Laing stonemasons were able to remove just the weathered surface of the stonework. New stone only two inches deep could be bonded to the old stone saving more of the original fabric of the building and cutting costs by a third. © Historic England Archive/Heritage Images, Heritage Image Partnership Ltd

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Media ID 40671243


1960s Alter Architectural Feature Black White Building Materials Construction Industry Historic England Occupation Profession Restoration Restored Restoring Sixties Stonework Tracery Working

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Modern Frame 14"x12" (36x31cm)

Ready to Hang Contemporary Framed Prints adds style, protection, and a polished touch to your space - effortlessly.

Your artwork will be printed as shown in the preview. To adjust please select Edit Printed Image under the Buy button

Wood effect frame, card mounted, 10x8 fade resistant photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: measurements provided are estimated outer dimensions, which include both the image and the frame. While we aim to keep sizing consistent, exact dimensions may vary slightly due to differences in print size or production requirements, which may result in a variation in the overall size (up to approximately 2.5cm (1"))

These are individually made so all sizes are approximate

Estimated Image Size (if not cropped) is 19.3cm x 19.5cm (7.6" x 7.7")

Estimated Product Size is 31cm x 36cm (12.2" x 14.2")

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