Framed Prints
Framed Print of Emily Carr artwork entitled Church at Yuquot Village
Emily Carr artwork entitled Church at Yuquot Village In Indian Church, one of Carr's most important works, a dense wall of forest engulfs the church, which Carr paints in vivid white, a stark contrast to the dark forest. Against this backdrop the church is miniaturized, signifying both the incursion and the vulnerability of the new beliefs introduced by the settler population. The small church, built by the local Nuu-chah-nulth tribe of the Yuquot community, symbolized for Carr the First Nations hybrid assimilation of Christianity, which she regarded as a sympathetic version of a faith she shared. As if in some sort of time-lapse photography, the small cross at the apex of the church steeple seems to fall to earth, multiplying into a cluster of crosses marking the graves of the dead. These crosses suggest a gathering of the faithful and at the same time stand in testament to the church's failed mission. The building's windowless walls and reduced features create another “marker, ” suggesting a structure that is both monolithic and uninhabitable. Carr's rendering reveals the mission's loneliness and impossibility—the tree boughs lean down heavily and sweep up forcefully from the bottom of the picture, as if to show the implausibility of a meeting place between two vastly different spiritual forces. In 1929 Carr travelled by steamer up the west coast of Vancouver Island. She spent time in the Mowachaht village of Yuquot, where she sketched the small Catholic church pictured here. A painting of a church represents a philosophical departure for Carr: during her earlier trips, she had taken no interest in the mission churches that had been built in the Native villages in the region, choosing instead to focus on indigenous forms of spiritual expression - Lisa Baldissera. © steeve-x-art
Your chosen combination is quickly and professionally made to order, our shipping page has more details
If you are not entirely happy with your items, simply return them to us within 30 days for a replacement or full refund. Please read our full returns policy.
Media ID 49055307
1929 Antiquity Bohemian Boho Canadian Collectable Depiction Drawing Art Exhibition First Nation Gallery Historical Image Noteworthy Period Project Work Of Art
Modern Frame 14"x12" (36x31cm)
Ready to Hang Contemporary Framed Prints adds style, protection, and a polished touch to your space - effortlessly.
Your artwork will be printed as shown in the preview. To adjust please select Edit Printed Image under the Buy button
Wood effect frame, card mounted, 10x8 fade resistant photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: measurements provided are estimated outer dimensions, which include both the image and the frame. While we aim to keep sizing consistent, exact dimensions may vary slightly due to differences in print size or production requirements, which may result in a variation in the overall size (up to approximately 2.5cm (1"))
These are individually made so all sizes are approximate
Estimated Image Size (if not cropped) is 15.1cm x 24.4cm (5.9" x 9.6")
Estimated Product Size is 31cm x 36cm (12.2" x 14.2")





